TANR is a touch controlled digital noise box synthesizer. The synthesis engine is based on the principle of algorithmic noise. First TANR synthesizer were built in early 2016 and since then almost 30 have been built in workshops given in different cities and countries. This page should serve as both documentation of the project, and building instruction of the instrument.
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TANR is a tiny AVR based synthesizer. It is not too far from Ljudmaskin, but there are few differences. Most important is that it has more touch contacts. It has three main contacts that are chained with resistors two form additional contacts. I have also added a potentiometer that is used to change modes between different synthesis algorithms.
There are two main influences for my synth. First one is Lumenoise, an audiovisual synthesizer by Niklas Roy. Those of you who have had a chance of trying this thing, know that its synthesis algorithm is a weird mix of control and total lack of control, both at the same time. I wanted to have something that would have the same feel than Lumenoise. This is where the synthesis algorithm kicks in. I have done workshop about algorithmic music players. That workshop was based on concept of ‘one line symphonies’ by Finnish demoscene veteran Viznut.
The schematics of TANR show that most of the magic happens in software. How TANR works is that it is using bunch of one line symphonies, switching between them and modulating their parameters based on readings from touch contacts, number of clock cycles etc. I think there is a tiny pinch of astrology in the algorithms as well. With high refresh rates one gets nicely colored and in a way harmonic noises and on some settings effects or even melodies. I’m still in the process of polishing and rewriting the software bit so wont include it here (yet). End result is this:
As in my previous workshops, no PCBs were used. Instead spot board and insulated metal wire was used. New innovation on this workshop was to use a photo with final layout between components and the board to help with placement of the components. I have to say that project like this starts to be at the limits of spotboard technique and might be that after working months with DIMI, I’m fluent Eagle user, could have proper PCBs made in the future iterations. Although I think it is useful to master creating circuit boards from scratch with spot board.
As always I’m up to giving this workshop few times in the future. This workshop is suitable with people with previous experience on soldering and it takes around 5 hours to finish. Drop me a line if you would be interested in organizing one!
I was invited to give a workshop in Malax by nice people from Stormvind Malax. This was a workshop for children. We spent a busy afternoon building these small noise machines. We had 13 participants in this workshop ages from 10 and up. Arvid van der Rijt and Veera Knuuti were co-directing the workshop with me.
My Ljudmaskin is basically Attiny85 based synth with one touch contact. It is built on tiny breadboard and is run by 9V battery. It has lm386 as amplifier (that I’m now thinking of getting rid of) and a tiny speaker. The main idea comes from drawdio, and the sensing part is done similarly. There is one pin that is programmed to emulate 555 chip. The synthesis is fully done on software. This allows much more complex output textures than what simple squarewave oscillator of drawdio could ever produce. The software is pretty close to what I used in my Synakyna workshop, but at some point I thought that ditching the pencil makes project both simpler and more fun. I have given workshop based fairly similar design few times now and start to be quite happy with the design. But there are still few things I would like to improve for the future iterations.
This workshop is suitable from ages 9 and up and takes around 3-5 hours in total. Drop me a line if you would like to book a workshop.